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#DateMe: An OkCupid Experiment Takes Comic Aim at Internet Dating Customs

#DateMe: An OkCupid Experiment Takes Comic Aim at Internet Dating Customs

Robyn Lynne Norris’s free-form satire makes its premiere that is off-Broadway at Westside Theatre.

Go from the veteran: on the web suuuuucks that are dating. Sure, apps like OkCupid, Tinder, and Hinge reduce regarding the awkwardness that is included with approaching prospective love passions in individual and achieving to discern somebody’s singlehood within the beginning. But placing apart the fact perhaps the many algorithm that is complexn’t constantly anticipate in-person chemistry, forcing potential daters to boil on their own down seriously to a self-summary leads people to not just placed across an idealized type of on their own for general general general general public usage, but in addition encourages visitors to latch on the many surface-level aspects to quickly determine whether someone’s worth pursuing romantically. For ladies especially, internet dating could even be dangerous, making them available to harassment or even worse from toxic males whom feel emboldened by the privacy for the Web.

And yet, online dating sites remains popular, hence rendering it a target ripe for satire. Enter #DateMe: An OkCupid Test. Conceived by www.foreignbride.net/african-brides Robyn Lynne Norris, whom cowrote the show with Bob Ladewig and Frank Caeti, and situated in component on her behalf very very own experiences, the task is simply an extended sketch-comedy show, featuring musical figures, improvisatory portions with market involvement, and interactive elements (the show features its own OkCupid-like application that everybody is encouraged to install and create pages on prior to the show). In the place of a plot, there is a character arc of kinds: Robyn (played in this premiere that is off-Broadway Kaitlyn Ebony), finding by by by by herself obligated to test OkCupid the very first time, chooses to see just what is most effective regarding the application by producing 38 fake pages. If it appears overzealous, a number of her guidelines — including never ever fulfilling some of the individuals she converses with online — declare that this alleged test has been made to fail through the outset. The cynicism and despair underlying Robyn’s overelaborate ruse is periodically recognized for the show, with items of pathos concerning tips of a troubled past that is romantic recommendations that she’s difficulty making deep connections with individuals in basic peeking through the laughs.

For the many part, however, #DateMe is content to keep up a frothy tone while doling away its insights.

Robyn’s findings of seeing most of the exact same expressions and character characteristics on pages result in faux-educational sections where the other countries in the cast that is eight-member donning white lab coats (Vanessa Leuck designed the colorfully diverse costumes), break people on to groups. also the creepiest of communications Robyn gets on OkCupid are turned into cathartically songs that are amusingpublished by Sam Davis, with lyrics by Norris, Caeti, Ladewig, and Amanda Blake Davis). And in case such a thing, the two improvisatory segments — one in that your performers speculate on how a first date between two single market users would get according to their pages and reactions for their concerns, one other a dramatization of a gathering user’s worst very very very first date — grow to be the comic features regarding the show (or at the very least, they certainly were during the performance we attended).

It really assists that the cast — which, along with Ebony, includes Chris Alvarado, Jonathan Gregg, Eric Lockley, Megan Sikora, Liz Wisan, Jillian Gottlieb, and Jonathan Wagner — are highly spirited and game. Lorin Latarro emphasizes a feeling of playfulness in her own way and choreography, particularly with a group, created by David L. Arsenault, that mixes the aesthetic of living spaces and game programs; and projections by Sam Hains that infuse the show because of the appropriate sense of multimedia overload.

#DateMe is really so entertaining within the minute that just do you realize afterward just just just how trivial its view of internet dating in fact is. Today for this viewer at least, it was disappointing to notice the show’s blind spot when it comes to race and how discrimination still plays out on dating apps. As well as on a wider degree, the show does not link the increase of dating apps towards the predominance of social networking most importantly, motivating a change more toward immediate satisfaction than in-depth connection. Similar to regarding the very very very very first times dating apps will likely give you on, #DateMe: an experiment that is okCupid a completely enjoyable break without making you with much to remember after it is over.

Charlotte Egan

Just another regular human girl on The Earth. Content writer and a marketer at Ginea Store.

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